Cleaves NEWSWIRE [Cleaves Newswire has been decommissioned but will remain online as a resource and to preserve backlinks; new site here.] Independent Open Publishing
 
"The executioner's face is always well hidden" -- Bob Dylan
» Gallery

Search

search comments
advanced search
printable version
PDF version

Unexpected
by ryall Saturday, Sep 26 2009, 7:41pm
international / prose/poetry / literature

Geisha with Sword, simon lovelace
Geisha with Sword, simon lovelace

                                             Bondi Orient

The coast walk meets horizon where open expanse greets sea.
Together sky and sea form an enduring partnership that has never been
perturbed by the unsures of men or the assaults of mighty empires --
such things are as nothing, here.

The insignificant city, behind, reduced to a play
of pettiness and woe, is unable to intrude;
The Bondi track affords reorientation, a fresh perspective.

I am drawn to the coast when the agitation of mind
and anguish of heart require the soothing expanse onto which no pain or tribulation can adhere.
Ebb/flow/Being synchronise, spirit is restored – all becomes One.

The beat of a tortured heart and the crimson passion it pumps through veins are off-beat by waves crashing over soft rocks – worn smooth with relentless ease.

Afforded freedom and release once again, how is it I continue to see your face in wisps of sky and your body in contours of the sea?

The salt air is overcome by your fragrant scent; the silken wind caresses me and moves about my body like your flowing hair.

Who would have thought that Love would ambush me again then linger like an unwelcome guest or playful old friend?

audio Sea of Love
audio Tin Soldier

COMMENTS

show latest comments first   show comment titles only

jump to comment 1 2 3

soldier's lament
by sol Sunday, Sep 27 2009, 7:57am


Thanx for reminding us of our humanity.


"Elsie"
by eva Monday, Sep 28 2009, 5:51am

"She never had an education
She uses life as her vocation
Standing on ledges clinging to the edges
The world's a hard place to land on ........
................

She never had any affection
She relates well to rejection
No stories wait discovery
Dreams have passed recovery
The worlds a hard place to land on..........

................" -- Divinyls

The First Casualty of War is Language
by A. Roy and C. Hedges via quill - TruthDig Tuesday, Sep 29 2009, 7:21pm

"As a writer .... I worry that I am allowing myself to be railroaded into offering prosaic, factual precision when maybe what we need is a feral howl, or the transformative power and real precision of poetry.

Today, words like "progress" and "development" have become interchangeable with economic "reforms," "deregulation," and "privatization." Freedom has come to mean choice. It has less to do with the human spirit than with different brands of deodorant. Market no longer means a place where you buy provisions. The "market" is a de-territorialized space where faceless corporations do business, including buying and selling "futures." Justice has come to mean human rights (and of those, as they say, "a few will do").

This theft of language, this technique of usurping words and deploying them like weapons, of using them to mask intent and to mean exactly the opposite of what they have traditionally meant, has been one of the most brilliant strategic victories of the tsars of the new dispensation. It has allowed them to marginalize their detractors, deprive them of a language to voice their critique and dismiss them as being "anti-progress," "anti-development," "anti-reform," and of course "anti-national" negativism of the worst sort." -- Arundhati Roy.
http://www.tomdispatch.com/post/175119/arundhati_roy_is_democracy_melting_


The War on Language
by Chris Hedges

There is a scene in "Othello" when the Moor is so consumed by jealousy and rage that he loses the eloquence and poetry that make him the most articulate man in Venice. He turns to the audience, shortly before he murders Desdemona, and sputters, "Goats and monkeys!" Othello fell prey to wild self-delusion and unchecked rage, and his words became captive to hollow clichés. The debasement of language, which Shakespeare understood was a prelude to violence, is the curse of modernity. We have stopped communicating, even with ourselves. And the consequences will be as extreme as in the Shakespearean tragedy.

Those who seek to dominate our behavior first seek to dominate our speech. They seek to obscure meaning. They make war on language. And the English- and Arabic-speaking worlds are each beset with a similar assault on language. The graffiti on the mud walls of Gaza that calls for holy war or the crude rants of Islamic militants are expressed in a simplified, impoverished form of Arabic. This is not the classical language of 1,500 years of science, poetry and philosophy. It is an argot of clichés, distorted Quranic verses and slogans. This Arabic is no more comprehensible to the literate in the Arab world than the carnival barking that pollutes our airwaves is comprehensible to our literate classes. The reduction of popular discourse to banalities, exacerbated by the elite's retreat into obscure, specialized jargon, creates internal walls that thwart real communication. This breakdown in language makes reflection and debate impossible. It transforms foreign cultures, which we lack the capacity to investigate, into reversed images of ourselves. If we represent virtue, progress and justice, as our clichés constantly assure us, then the Arabs, or the Iranians, or anyone else we deem hostile, represent evil, backwardness and injustice. An impoverished language solidifies a binary world and renders us children with weapons.

How do you respond to "Islam is the solution" or "Jesus Christ is my Lord and Savior"? How do you converse with someone who justifies the war in Iraq-as Christopher Hitchens does-with the tautology that we have to "kill them over there so they do not kill us over here"? Those who speak in these thought-terminating clichés banish rational discussion. Their minds are shut. They sputter and rant like a demented Othello. The paucity of public discourse in our culture, even among those deemed to be public intellectuals, is matched by the paucity of public discourse in the Arab world.

This emptiness of language is a gift to demagogues and the corporations that saturate the landscape with manipulated images and the idiom of mass culture. Manufactured phrases inflame passions and distort reality. The collective chants, jargon and epithets permit people to surrender their moral autonomy to the heady excitement of the crowd. "The crowd doesn't have to know," Mussolini often said. "It must believe. ... If only we can give them faith that mountains can be moved, they will accept the illusion that mountains are moveable, and thus an illusion may become reality." Always, he said, be "electric and explosive." Belief can triumph over knowledge. Emotion can vanquish thought. Our demagogues distort the Bible and the Constitution, while their demagogues distort the Quran, or any other foundational document deemed to be sacred, fueling self-exaltation and hatred at the expense of understanding. The more illiterate a society becomes, the more power those who speak in this corrupted form of speech amass, the more music and images replace words and thought. We are cursed not by a cultural divide but by mutual cultural self-destruction.

The educated elites in the Arab world are now as alienated as the educated elites in the United States. To speak with a vocabulary that the illiterate or semiliterate do not immediately grasp is to be ostracized, distrusted and often ridiculed. It is to impart knowledge, which fosters doubt. And doubt in calcified societies, which prefer to speak in the absolute metaphors of war and science, is a form of heresy. It was not accidental that the founding biblical myth saw the deliverer of knowledge as evil and the loss of innocence as a catastrophe. "This probably had less to do with religion than with the standard desire of those in authority to control those who are not," John Ralston Saul wrote. "And control of the Western species of the human race seems to turn upon language."

The infantile slogans that are used to make sense of the world express, whether in tea party rallies or in Gaza street demonstrations, a very real alienation, yearning and rage. These clichés, hollow to the literate, are electric with power to those for whom these words are the only currency in which they can express anguish and despair. And as the economy worsens, as war in the Middle East and elsewhere continues, as our corporate state strips us of power and reduces us to serfs, expect this rage, and the demented language used to give it voice, to grow.

The Arabic of the Quran is as poetic as the intricate theology of Islam. It is nuanced and difficult to master. But the language of the Quran has been debased in the slums and poor villages across the Middle East by the words and phrases of political Islam. This process is no different from what has taken place with Christianity in the United States. Our mainstream churches have been as complacent in fighting heretics as have the mainstream mosques and religious scholars in the Middle East. Demented forms of Christianity and Islam have largely supplanted genuine and more open forms of religious expression. And they have done so because liberal elites were cowed into silence. Corruptions of Islamic terms and passages are as numerous in the militants' ideology as in the ideology of the Christian right. The word jihad for the militants means the impunity to kill, kidnap, hijack and bomb anyone they see as an infidel, including children and other Muslims. Jihad, however, does not always mean holy war, or even war, in the Quran. According to Islamic tradition, the "great jihad" is the battle within one's self to live in accord with God's will. A jihad, for the prophet Muhammad, is often the struggle to achieve inner-worldly asceticism, in accord with his call "to command the good and forbid evil with the heart, the tongue and the hand." And the Quran condemns the use of violence to propagate the faith. "There is no compulsion in religion," it states. The Quran also denounces forced piety and conversion as insincere. Calls to martyrdom, presented by militants as a direct path toward eternal life, conveniently eschew the Quran's rigid ban on suicide. But theological nuance is beside the point for zealots. The fantasies peddled by the Christian right, from the Rapture, which is not in the Bible, to the belief that Jesus, who was a pacifist, would bless wars in the Middle East, injects our own version of sanctified slogans into the vernacular.

Our crisis is a crisis of language. Victor Klemperer in his book "Lingua Tertii Imperii" noted that the distortion of language by the Nazis was vital in creating fascist culture. He was repeatedly perplexed by how the masses, even those who opposed the Nazis, willingly ingested the linguistic poison the Nazis used to perpetuate collective self-delusion. "Words may be little doses of arsenic," he wrote. "They are consumed without being noticed; they seem at first to have no effect, but after a while, indeed, the effect is there."

Copyright applies.

See also:
http://cleaves.zapto.org/news/story-270.html


 
<< back to stories
 

© 2005-2024 Cleaves Alternative News.
Unless otherwise stated by the author, all content is free for non-commercial re-use, reprint, and rebroadcast, on the net and elsewhere.
Opinions are those of the contributors and are not necessarily endorsed by Cleaves Alternative News.
Disclaimer | Privacy [ text size >> ]